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THE ROAD WITHIN
Directed by Gren Wells, with Robert Sheehan, Zoe Kravitz, Dev Patel, Robert Patrick and Kyra Sedgwick.
REVIEW: Stephen Farber
TALENTED young performers can help to make a spotty story watchable. The Road Within derives from a 2010 German film called Vincent Wants to Sea, about a young man with Tourette’s syndrome who wants to travel to the ocean to spread his mother’s ashes.
The road-trip format has been overworked and doesn’t really get any revitalisation here, but the three leading actors – Robert Sheehan, Dev Patel and Zoe Kravitz – are so skilful that they keep us engaged, until the formulaic nature of the piece wears us down.
Writer-director Gren Wells has been an actress as well as a screenwriter, and she shows more gifts at working with the cast than at propelling a rather disjoined story. Box-office prospects are limited.
Vincent’s primary caregiver was his mother, but after her death, his politician father (Patrick) has little time to deal with his special needs and sends him off to an institution. There, Vincent is assigned to a roommate, Alex (Patel), who wears rubber gloves because of his obsessive compulsive disorder. Vincent also strikes up a friendship with Marie (Kravitz), who seems better adjusted at first but is suffering from anorexia. The clinic’s director, Dr. Rose (Kyra Sedgwick), does not seem terribly helpful, so Vincent decides to steal her car to drive from Nevada to the California coast. Marie comes along, and they end up including Alex as well. Vincent’s father joins forces with Dr. Rose to try to find them.
Sheehan, who is British, does an amazing job not just with the American accent but with capturing the physical manifestations of the ailment. Kravitz, best known for her roles in Divergent and X-Men: First Class, manages to be abrasive and compassionate at the same time; she delivers a vibrant performance. But it may be that Patel is most impressive of all. The star of S lumdog Millionaire and The Newsroom series has never had a role this demanding, and he does astonishing work that reveals a whole new side of his talent.
The two adult actors also have significant roles. A budding romance between them is not one of the script’s happiest inventions, and Sedgwick is a mite too cutesy in playing the flawed healer. But Patrick gives one of the strongest performances of his career; he is convincingly self-centred in the first part of the film but reveals surprising depths as the story continues.
It’s the story itself that undoes the movie. Road pictures are by definition episodic, but this one is particularly weak in finding strong or compelling incidents that might complicate the simple narrative line of Vincent’s journey to the sea. There are nice images of Yosemite and the central California coast, but the film seems far too distended.
Fortunately, the actors find enough fresh and vivid moments to keep us interested in watching their odyssey even when the storytelling flounders. – Reuters/ Hollywood Reporter